My last serious relationship was with a cocaine-addicted priest.

For six months, I had a job that required me to have a false identity.

I have been unfaithful to all of my partners.

I squeezed a baby's hand to make him cry.

I had a drunken homosexual encounter, and now I'm scared to drink again.

I stole all of my girlfriend's savings, spent them on drugs, and then tried to commit suicide.

Hitting my head against the pillow is one way to escape reality.

I used to put old diapers on secretly until I was 10 years old.

There are some women whose femininity I envy.

I bought a party hat and went to a stranger's house to do him a golden shower on my birthday.

Once I pooped in class and blamed my classmate for the bad smell. Even today, people still make fun of her because of me.

I was so shy that I had trouble getting dates. So, for a while, I stole money from the cash register where I worked to pay for prostitutes.

Sometimes I wish for my own death just to see people's reactions.

I like to steal small objects from the houses of friends and family members that I visit.

My first partner was an inflatable clown. When I went to sleep, I would undress and sleep cuddled up to it.

I invented a thousand excuses to break up with my partner instead of telling them that I didn't love them.

I have a habit of bringing food with me when I go to the bathroom.

I read my partner's private messages whenever I can.

I feel a strange desire for my friends' girlfriends.

DARK HABITS

Dark Habits is a project that deals with post-truth and how our natural defense mechanism creates false profiles of the people in an attempt to protect ourselves. Inspired by the famous Kuleshov effect, I have interspersed a series of secrets that the portrayed individuals anonymously confessed, which I assigned purely by intuition, with each face. As a result, their faces seem to change expression once these confessions are revealed. In the assembly of the exhibition, I create interchangeable captions specifically designed for the occasion, the viewer could play at guessing and even exchange them to their liking.

The Kuleshov effect is a film editing technique named after Soviet filmmaker Lev Kuleshov. It explores the phenomenon of how the juxtaposition of different shots can create new meaning or evoke specific emotions in the viewer. The effect was discovered and demonstrated by Kuleshov in the early 1920s during the Soviet silent film era.

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Kuleshov conducted an experiment where he took a close-up shot of an actor’s neutral face and then edited it together with different shots: a bowl of soup, a coffin, and a woman on a couch. When shown to an audience, they interpreted the actor’s expression differently based on the context of the shots. For example, when the shot of the actor was followed by the bowl of soup, the audience perceived hunger on the actor’s face. When followed by the coffin, they perceived sadness, and when followed by the woman on the couch, they interpreted desire.